Mission Statement
The mission of the International Chamber Artists is to present performances driven by the highest
standards of artistic excellence, while supporting communities and organizations through collaborations
and financial support, to promote the viability and growth of classical music audiences for the
future.
Artist Biographies
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Patrick Godon
Piano
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Patrick Godon made his debut as soloist with the Chicago Symphony Orchestra in May of 2007, playing one of the solo piano parts along with Mary Sauer in Colin McPhee's Tabuh-Tabuhan: Toccata for Orchestra and Two Pianos, with Alan Gilbert conducting. In October 2010, Patrick will be the featured soloist in Dohnanyi’s Variations on a Nursery Rhyme with the West Suburban Symphony Orchestra. In March 2008, he was the featured soloist with the Lake Shore Symphony Orchestra in Gershwin's Rhapsody in Blue. In 2005, Godon was the featured harpsichord soloist in Alfred Schnittke's Concerto Grosso No. 2 with the Civic Orchestra of Chicago, along with Gidon Kremer, violin, and Kristina Blaumane, cello. In 2004, he was the featured harpsichord soloist in Alfred Schnittke's Concerto Grosso No. 4, "Symphony No. 5" along with Alicia Koelz, violin, and Somerlie Aston, oboe. Godon has also appeared as featured soloist in Bach's Brandenburg Concerto No. 5 with the Symphony of Oak Park and River Forest, and in both 2002 and 2008 with the DePaul University Wind Ensemble in Hindemith's Konzertmusik, with Donald Deroche conducting.
Patrick Godon made his debut with the Chicago Symphony Orchestra as second keyboardist at Ravinia in 2003. He was invited to play second keyboard on the CSO's 2005 European Tour and for CSO Carnegie Hall performances for the past five consecutive years. He is a member of the CSO's MusicNOW Ensemble, having played first keyboard for George Benjamin's Antara and piano solo in Mundry's Panorama ciego in rehearsals, covering for Daniel Barenboim. The Chicago Sun-Times said of his most recent MusicNOW performance that “Patrick Godon…showed he firmly belongs in the realm of chamber music.” In addition, he served as rehearsal pianist for Barenboim and Deborah Voigt for Schoenberg's Erwartung. In 2008, Patrick began performing as orchestral keyboardist with the Virginia Symphony Orchestra and the Ars Viva Symphony Orchestra. As a collaborative pianist, he has performed for three Dame Myra Hess concerts at the Chicago Cultural Center, broadcast live on WFMT.
A nine-year member of the Civic Orchestra of Chicago, Patrick served as principal pianist from 2002-2007. In April 2007, he was pianist for the Civic Orchestra's performance of Stravinsky's Petrushka. He has played under leading conductors including Alsop, Barenboim, Boulez, Colnot, Conlon, Davis, Dutoit, Eschenbach, Haitink, Maazel, Muti, Nagano, Robertson, Salonen, Slatkin, and Tilson Thomas. He has performed in Civic's chamber music masterclasses for Mitsuko Uchida and Thomas Kakuska of the Alban Berg Quartet.
Since July 2003, Godon has been the Director of Music at Saint Gregory the Great Church in the Andersonville/Edgewater neighborhood, where he composes and arranges music for liturgies. He has led the parish choir on performance tours of Italy, Greece, Turkey, Louisiana, and in March of 2011 he will lead the choir on a tour to Ireland.
A native of Fargo, North Dakota, Patrick Godon began his studies with Chicago Symphony principal piano Mary Sauer in 1997. He studied with Andrej Dutkiewitz at the Interlochen Arts Camp in 1995, and with Jacob Lateiner in New York City at the Mannes Beethoven Institute in 2001. In 2000, he studied opera coaching with Linda Hirt and Benton Hess in Urbania, Italy through the Oberlin Conservatory. He holds both Bachelor of Music and Master of Music degrees in Piano Performance from DePaul University. He and his wife Keri are the proud parents of Gilbert Maurice Godon, born May 30, 2009.
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Mary Sauer
Artistic Advisor
The principal keyboardist of the Chicago Symphony Orchestra since 1959, when she joined at the
invitation of Fritz Reiner, as well as the keyboard coach of the Civic Orchestra of Chicago, the
training orchestra of the CSO, Mary Sauer also has an outstanding reputation as a music educator. For
33 years she was on the piano faculty of DePaul University, where she was the coordinator of the
keyboard program for 22 of those years. In addition to her many professional DePaul graduates, Ms.
Sauer's private studio, now in the Fine Arts Building of Chicago, has produced many concert pianists,
conductors, music directors, and high school and university teachers worldwide. Her unique teaching
approach solves problems of tension which frees the individual's inner musicality and artistry.
Born in Kenosha, Wisconsin, Ms. Sauer received both bachelor's and master's performance degrees from
the Chicago Musical College; her teachers have included mentor Rudolph Ganz, William Kapell, Irene
Schneidmann, and Mollie Margolies.
A frequent soloist with the Chicago Symphony Orchestra on piano, celesta, organ, and harpsichord,
she has played concertos under Sir Georg Solti, Jean Martinon, Carlo Maria Giulini, Claudio Abbado,
Rafael Kubelík, Zubin Mehta, Charles Dutoit, and Margaret Hillis, among others. She also is featured as
soloist on many of the Orchestra's recordings with Solti, Giulini, Leopold Stokowski, Leonard
Bernstein, Michael Tilson Thomas, and James Levine, as well as on discs with the Chamber Players of the
Ravinia Festival. For 21 years, she was accompanist for the Chicago Symphony Chorus.
Ms. Sauer, now in her 48th season with the CSO, not only is the first and only full-time keyboardist
in the 116-year history of the Chicago Symphony Orchestra, but she pioneered the development and
establishment of the first position of its kind in any symphony orchestra. In her popular lecture, "The
Many Faces of the Orchestral Keyboardist," she elaborates on the interesting scope of this position.
Ms. Sauer also holds the distinction of being the second female to hold a principal chair in the
CSO.
Much in demand as a soloist, recitalist, chamber musician, lecturer and for master classes, Ms.
Sauer frequently performs as guest artist with other orchestras. In addition, she had a long
association with the Peninsula Music Festival in Wisconsin, performing as soloist for 18 consecutive
seasons.
Having studied under the guidance of Alexander Schneider, her commitment to chamber music repertoire
is shown by her long involvement with the CSO chamber music series, collaborating with several
ensembles, including the Symphony Chamber Soloists of Chicago, the Chicago Symphony String Quartet, the
Alistaire Trio, and the Gilcrest Chamber Society.
Ms. Sauer received the Governor's Award of the Chicago Chapter of the National Academy of Recording
Arts and Sciences for her contributions in education, performance, and recording, and for her many
years as the Orchestra's keyboardist. She also has received the honor of being appointed to the
International Roster of Steinway Artists.
Ms. Sauer lives in Highland Park, IL, with her husband, Richard Hannenberg, who specializes in
health studies and nutrition business consulting. They cherish much-needed relaxation at their shore
cottage in Door County, Wisconsin, whenever possible. Their daughter, Kristin, a professor at Concordia
University, lives in Forest Park, IL, with her husband, Robert Wassilak, an athletic trainer and sports
therapist, and their children, Collin Robert and Annika Renee.
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Jessica Usherwood
Soprano
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Jessica Usherwood, soprano, was a recent participant of the Steans Institute for Young Artists at
Ravinia Festival. She holds a professional diploma and a master's degree from Chicago College of
Performing Arts (CCPA) at Roosevelt University, where she performed the role of Polly Peachum in John
Gay's The Beggar's Opera and Drusilla in Monteverdi's The Coronation of Poppea. Jessica
participated in the CCPA Opera Night at the Auditorium Theatre and performed a duet with Samuel Ramey.
She also shared the stage with Richard Stillwell at the Opera Gala at the Center for Performing Arts at
Governors State University with the CCPA Orchestra. She has appeared with the Chicago Opera Theater for
the past several seasons, also singing the role of the Young Soprano in their outreach production of
Mozart's The Impresario. Jessica sang Ninetta at the Chicago Cultural Center's summer production
of Prokofiev's Love for Three Oranges. Last fall, she was the soprano soloist for Handel's
Messiah with the Marion Philharmonic Orchestra under the baton of Alexander Platt.
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Sarah Jacques
Violin
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Sarah Jacques, violin, has performed with various orchestras and ensembles including the Rembrandt
Chamber Players, the Civic Orchestra of Chicago, Concertante di Chicago, Chicago Philharmonia, Park
Ridge Symphony Orchestra, Lake Shore Symphony Orchestra, Athena Ensembles, and was the Principal Second
Violin of the Kankakee Valley Symphony Orchestra for the past two seasons.
In 2002, she premiered chamber works through the American Composers Forum's Chicago Parks series.
Previously, Sarah was the Administrative Director for the Rembrandt Chamber Players and was on the
faculty of Midwest Young Artists as a chamber music coach. With a Bachelors Degree in Violin
Performance and Music Business from DePaul University, she is currently pursuing a Masters Degree in
Violin Performance at the Longy School of Music in Boston. She attributes her love for chamber music to
studying in the hills of New Hampshire at the Apple Hill Center for Chamber Music.
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Roxana Pavel-Goldstein
Violin
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Roxana Pavel Goldstein, a native of Romania, came to the US in 1996 with a scholarship to study
violin with Cyrus Furough. She has won numerous prizes at major competitions including First and Second
Prize at the Cita di Stessa International Competition in Italy, as well as First Prize in the Rembrandt
Chamber Music Competition. She took First Prize at the coveted Lyre of Gold Competition in Bacau
Romania. In 1997, she performed in a masterclass for Maxim Vengerov. More recently she won the DePaul
Annual Concerto Competition in 2002. She received full scholarship to attend many of the country's most
prestigious summer music festivals including the Interlochen Arts Camp and the Chautauqua Summer
Institute.
Roxana was often the concertmaster of the DePaul Symphony Orchestra, where she completed her Masters
Degree under the tutelage of Mark Zinger. She is an active chamber musician and soloist, and has
appeared with the Concertanti Di Chicago, the Rembrandt Chamber Players, and will perform chamber works
together with internationally reknown artists such as Eteri Anjaparidze, and Steve Balderston.
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Gabriel Schlaffer
Viola
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Gabriel graduated from the New England Conservatory with a bachelor's degree in Violin and Viola Performance, and earned his master's degree at DePaul University. He has studied with Margaret Baldridge, James Buswell, Keith Conant, Rami Solomonow, and Marcus Thompson. Currently in his eighth season as Principal Viola with the South Bend Symphony, Gabriel also performs regularly with the Chattanooga, Alabama, Montgomery, and Tuscaloosa Symphonies. He has also performed with the Civic Orchestra of Chicago, Lyric Opera of Chicago and the Elgin, Missoula, New World, Northwest Indiana, and Rockford Symphonies. As a recitalist and chamber musician, Gabriel has performed in Boston, Chicago, England, France, and Japan. In the summer, he performs with the Michigan City Chamber Music Festival.
In his spare time, Gabriel loves playing Scrabble and Sudoku, flying kites, watching movies, and sampling various cuisines. He also enjoys taking road trips, participating in late night extended chamber music reading sessions with friends, and spending time with his two cats, Lily and Figaro. He grew up in Missoula, Montana and now lives in Birmingham with his wife Machiko, who performs as assistant principal oboist with the Alabama Symphony.
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Carolina Gomez
Cello
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Born in Medellin, Colombia, Carolina Gomez started her musical training at age 5. She graduated from
the Instituto Musical Diego Echavarria Music Highschool, the only school of its kind in Colombia, in
1994.
In 1997, Carolina Gomez was accepted into the Chicago College of the Performing Arts at Roosevelt
University, where she was also awarded with a talent scholarship. That same year, she was accepted into
the Civic Orchestra of Chicago, training orchestra of the Chicago Symphony, and was awarded with a
fellowship for the 2000-2002 seasons. Through the Civic Orchestra, Ms. Gomez played under the batons
Christoph Eschenbach, William Eddins, Pierre Boulez, Michael Gielen, Neeme Jaarvi, and Daniel
Baremboim, among others. Carolina Gomez received her Master's degree from DePaul University in 2002,
and a Performance Certificate from the same in 2004.
As an orchestral musician, Ms. Gomez has participated in different festivals such as Festival
Orchestra of the Europaisches Musikfest Stuttgart for the 2002-2003 seasons. Her chamber music
experience includes attending the Colorado College and Manchester Chamber Music Festivals, as well as
participating in numerous chamber ensembles at Roosevelt and DePaul Universities. She has collaborated
in chamber music performances with artists such as Eteri Andjaparidze and Stefan Hersh, both faculty
members at DePaul University, and her performance of Mozart's Piano Quartet in G minor was
featured in a live broadcast on WFMT. In 2005 Ms. Gomez performed in a concert series that included all
of Brahms' piano quartets, collaborating with pianist Eteri Andjaparidze and world-renown violinist
Ilya Kaler. She is currently a member of the Vincent string trio.
Carolina Gomez has studied with cello professors Ludmil Vassilev, Svetoslav Manolov, Natalia Khoma,
and Steve Balderston. She has performed in master classes with John Sharp, Desmond Hoebig, Amanda
Forsyth and Yo-Yo Ma. She plays a German cello of unknown maker, dated from 1860.
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Jocelyn Butler
Cello
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Jocelyn received her Bachelor and Masters’ degree in music performance from Indiana University where she studied with Tsuyoshi Tsutsumi, and wrapped up her post-graduate studies at the Chicago College of Performing Arts where she studied with John Sharp and Brant Taylor. She was a member of the Chicago Civic Orchestra for two years, ending her final year as co-principal. She has performed with several great orchestras such as the Aspen Chamber and Festival Orchestras, Music Now, St. Paul Chamber Orchestra, and Miami Symphony. Jocelyn has also been an avid chamber musician collaborating with many talented artists at Indiana University and in Chicago. Her quartet became the quartet in residence at Indiana University for a year after winning the IU Kuttner Quartet competition. After arriving to Chicago, she was invited to perform in a string quartet coached by Richard Young of the Vermeer Quartet. They performed on the Dame Myra Hess Memorial Concert broadcasted on WFMT and the quartet played several concerts in the Netherlands. She is currently a member of the New Millennium Orchestra, International Chamber Artists, Advent Chamber Orchestra, Illinois Symphony, and the Illinois Philharmonic.
Jocelyn also has a private cello studio at the Music Connection and Apostolic Church of God.
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Jeremy Attanaseo
Double Bass
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Jeremy Attanaseo graduated from DePaul University with his Masters Degree in Double Bass Performance in
2005. He received his Bachelors of Music from DePaul in 2003. He teaches privately in his hometown of Buffalo
Grove, as well as Maine South High School in Park Ridge. He has played with the Chicago Civic Orchestra and is
a member of the South Bend Symphony Orchestra and the New Millennium Orchestra. In the summer Jeremy teaches
at the Birch Creek Music Festival in Door County, WI.
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Marguerite Lynn Williams
Harp
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Harpist Marguerite Lynn Williams has concertized throughout the United States, Europe and Asia as a
soloist, chamber musician and orchestra member in such venues as Carnegie Hall (New York), Shostakovich
Hall (St. Petersburg, Russia) and Symphony Center (Chicago). Ms. Williams has won prizes in numerous
competitions including First Prize of the Anne Adams National Competition sponsored by the American
Harp Society in both 1998 and 1999; the National Endowment of the Arts Artist Recognition Talent Search
(1997), the National Federation of Music Clubs (1997), the American Opera Society (2003) and Sigma
Alpha Iota (2001).
Among other solo engagements, Marguerite Williams has been featured as soloist with the New World
Symphony (2007), Roosevelt University Chamber Orchestra (2001); has premiered numerous compositions
including Augusta Read Thomas' The Soul is Light for harp, oboe and violin in 2007; and is under
high demand for her performances of contemporary music including Berio's "Circles". Recent performances
have included collaborations with Yo-Yo Ma, Renee Flemming, Maxim Vengerov, Kanye West and appearances
as royal entertainment for H.I.H. Princess Thi-Nga of Vietnam.
An experienced orchestra musician, Ms. Williams has appeared with the Chicago Symphony, Milwaukee
Symphony, Ravinia Festival and Joffrey Ballet Orchestras. She is currently principal harpist for the
New World Symphony (Miami, FL) and the Colorado Music Festival (Boulder, CO). Previously she was the
principal harpist of the Civic Orchestra of Chicago, New Philharmonic Orchestra (Glyn Ellen, IL), and
DuPage Opera Orchestra. She is a founding member of the International Chamber Artists, Project
Copernicus and Fifth House ensembles.
Marguerite Lynn Williams attended the Eastman School of Music where she received both a Bachelor of
Music degree and Performer's Certificate studying with Kathleen Bride. She then attended Roosevelt
University to study with Chicago Symphony Orchestra principal harpist Sarah Bullen, where she received
a Masters Degree in Orchestral Studies. Ms. Williams is published exclusively by Lyon & Healy
publishing and is currently on faculty at the Frost School of Music, University of Miami.
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Joanna Messer
Flute
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A native of Polo, Illinois, Joanna Messer began studying flute at the age of 10. From 2004 to 2006,
she was a regular member of the Civic Orchestra of Chicago and their outreach program, MusiCorps. While
a member of Civic, she often performed as principal flutist on such works as Debussy's Prélude à
l'après-midi d'un faune, Ravel's Boléro and Daphnis et Chloé, Rimsky-Korsakov's
Scheherazade, and Stravinsky's Le Sacre du Printemps and L'Oiseau de Feu. Beginning with
the 2007-2008 season, Ms. Messer has been appointed to the second flute/piccolo position with the
Illinois Symphony. She will also appear as third flute/piccolo player with the Southwest Michigan
Symphony, and she serves as a frequent substitute with the Madison Symphony Orchestra in Wisconsin.
In May 2006, Joanna performed Nielsen's Concerto for Flute and Orchestra with the Leipzig
Akademisches Orchester at the Gewandhaus in Leipzig, Germany, as a result of winning First Prize in the
Texas Music Festival's Cynthia Woods Mitchell Young Artist Competition. She also performed the Nielsen
Concerto in Houston as soloist with the TMF Orchestra in June 2005. Joanna won First Prize in the New
York Flute Club Young Artist Competition in 2003 and presented her New York debut recital at CAMI Hall
as part of NYFC's Recital Series. In 2002, she won the University of Chicago Concerto Competition and
performed Mozart's Concerto in G Major with the Chamber Orchestra. Joanna is also an avid chamber
musician and has founded the Hara Quintet with colleagues from the Civic Orchestra. Ms. Messer is also
a passionate proponent of new music and promoting the composers of our current time, and will be
presenting the world premiere of fellow Carnegie Mellon alumnus Mark Fromm's Northern Sonata for
Flute and Piano in recital at Lawrence University in Appleton, Wisconsin, in February 2008.
Currently, Joanna teaches and performs in the Chicago area and is a member of the adjunct faculty
for the Center for Distance Learning of the City Colleges of Chicago. Joanna received her Master of
Music degree from Carnegie Mellon University in 2004, where she studied with Jeanne Baxtresser and
Alberto Almarza, and her Bachelor of Music degree magna cum laude from Lawrence University in 2001,
where she studied with Dr. Ernestine Whitman and Suzanne Jordheim. She is a member of Pi Kappa Lamda,
the national music honor society, and the National Flute Association. In her free time, Joanna likes to
take long bike rides on the lakefront and to read voraciously.
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Machiko Ogawa Schlaffer
Oboe
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After graduating from the Tokyo Musashino Academy of Music with a Bachelor of Music in 1999, oboist
Machiko Ogawa decided to pursue further education in the United States. As if learning a new language
wasn't enough, she earned her Graduate Diploma at the Boston Conservatory in 2001 and her Artist
Diploma at the Longy School of Music in 2002. During the next few years she played with the Civic
Orchestra of Chicago, and earned a Master of Music at Roosevelt University while freelancing with many
orchestras around the area. In 2007 she was appointed assistant principal oboe of the Alabama Symphony.
She has attended many summer music festivals around the U.S., including Tanglewood, the National
Orchestral Institute, and Colorado College Summer Music Festival, and she has studied with Lothar Koch,
Grover Schiltz, Ray Still, and Keisuke Wakao.
When Machiko isn't commuting to Chicago to perform with ICA, she enjoys hanging out with her friends
and cats, watching movies, cooking, and making the occasional reed. Machiko often travels back to
Okazaki, Japan, to visit her family, and she currently lives in Birmingham with her husband Gabriel,
and their two cats Lily and Figaro.
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Anna Velzo
Oboe
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As a young oboe player growing up in Seattle, Washington, Anna played Principal Oboe and English Horn with the Seattle Youth Symphony, Philharmonia Northwest and Seattle Performing Arts Chamber Ensembles for several years. At age 16, Anna won the Seattle Philharmonic 1999 Honors Concerto Competition and at age 18 accepted a full scholarship to attend the Manhattan School of Music where she studied with Joseph Robinson.
In addition to her college studies in New York City, Anna founded, led and performed with a world music group, Anna and the Post Road Band. In 2003, Ms. Velzo moved to Chicago, and studied with Alex Klein and Bob Morgan for two years while she performed as Principal Oboe with DePaul University Orchestra and started her professional career.
She has performed as soloist, and is currently Principal oboe with the New Millennium Orchestra, is a member of the International Chamber Artists, and has performed with various groups including Ars Viva Symphony Orchestra, International Contemporary Ensemble, and Illinois Symphony Orchestra. She has also had the honor of performing Oboe and English horn in the renowned St Barth Music Festival in the French West Indies.
Along with continuing freelance work, and teaching oboe, Ms. Velzo is currently working on innovative classical projects for solo and small ensemble performances, as well as various recording projects.
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Pamela Coats
Clarinet
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As a soloist in the Orpheus Classical Music Series at the Harold Washington Library of Chicago,
Pamela Coats, clarinettist, began her performing career in 1997. Since then, she has been noted for her
many roles as a clarinettist. As a recitalist, Ms. Coats is a regular performer at the
Bürgermeisterhaus Concert Series (the Mayor's hall) and the Augustinum Concert Series in Essen, the
Basilika St. Aposteln Concert Series, DOMKultur Forum and Musik In Lindenthal in Cologne, and the
Hermann-Grochtmann-Museum Concert Series in Datteln. She has been described as having an "amazing
musical ability" by the Dattelner Morgenpost. "With great ability," writes the DOMKultur Forum, "Ms.
Coats breathed life into wonderfully distinguished works." And the Westdeutsche Allgemeine Zeitung
adds, she has "a great romantic musicality."
An active chamber musician, Ms. Coats has performed in several projects, ranging from smaller groups
through chamber orchestras and has been honored with chamber music performances in such halls as the
Berliner Philharmonie, Dachau SchlosserKonzert, the Cleveland Orchestra's Severance Hall, and in halls
throughout Switzerland. She was also selected to participate in the Yehudi Menuhin project, Live
Music Now, in the North Rhine Westphalia area. Chamber music groups that Ms. Coats has founded
include the Chicago-based Prism Chamber Music Society, and Inventio Concertante of Cologne, both of
which are involved in the promotion of women composers through the performance of their works.
Pamela Coats has a Bachelor of Arts degree from the University of North Carolina at Greensboro, a
Master of Music degree from DePaul University, as well as a Artist's Diploma from the Music
Conservatory of Cologne. Her main teachers include David Smeyers, Adolf Münten, John Bruce Yeh, and Dr.
Kelly Burke. Ms. Coats has also attended several Masterclasses under the tutelage of Anthony Gigliotti,
Fred Ormand, Alfred Prinz, Larry Combs, Eduard Brunner and Ralph Manno.
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Marci Gurnow
Clarinet
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Marci Gurnow has been the second and bass clarinetist with the Jacksonville Symphony since 2006.
Raised in Marietta, Georgia, she began playing clarinet at age 11 and credits her teacher and mentor
Laura Ardan, principal clarinetist of the Atlanta Symphony, for instilling in her the love for the
instrument. Marci went on to earn her Bachelor of Music degree from Southern Methodist University
studying with Paul Garner and Steve Girko. She received her Master of Music degree from Northwestern
University studying clarinet with Russ Dagon and bass clarinet with J. Lawrie Bloom. She has also been
fortunate to work with Burt Hara, Ted Oien, and Kalmen Opperman.
Prior to her position with Jacksonville, Marci was a member of the Civic Orchestra of Chicago for
three years. While in Chicago, she was privileged to get to work with Larry Combs and John Bruce Yeh on
orchestral and chamber music and to play under renowned conductors such as Daniel Barenboim, Pierre
Boulez, Charles Dutoit, and Lorin Maazel. Marci has also performed with other orchestras, including the
Chicago Symphony, Milwaukee Symphony, Alabama Symphony, and Naples Philharmonic. She has participated
in orchestral and chamber concerts at the Aspen Music Festival and the Pacific Music Festival in
Sapporo, Japan.
A lover of chamber music, Marci is a founding member of the Chicago-based group the International
Chamber Artists, whose commitment goes beyond simply playing the music and seeks to link performance
and education together in order to build audiences for years to come. She has also participated in
various chamber and solo recitals across the United States.
In her free time, you can find Marci practicing yoga, listening to Mahler, or spending time outdoors
hiking, cycling, or skiing. She loves the mountains and has recently climbed her third "fourteener" and
looks forward to climbing more. She is also a big fan of baseball and loves the Chicago Cubs.
Marci is a Buffet Crampon USA Performing Artist and performs exclusively on Buffet Crampon
clarinets.
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Jason Kramer
Bassoon
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Over the past decade, bassoonist Jason Kramer has been an active artist in symphonies, chamber ensembles, and new music collaborations.
He has performed with numerous orchestras including the Chicago Symphony Orchestra, New Millennium Orchestra of Chicago, Northbrook Symphony Orchestra, Grand Rapids Symphony, Kalamazoo Symphony Orchestra, Illinois Philharmonic, West Shore Symphony, Lincolnwood Chamber Orchestra, Traverse Symphony Orchestra, and the Battle Creek Symphony. Jason is currently Associate Principal Bassoon of the South Bend Symphony and Assistant Principal Bassoon of the Southwest Michigan Symphony Orchestra.
As a chamber musician, Jason made his Carnegie Hall debut as a guest artist with the Western Wind Quintet. He was a founding member of The Ineffable Trio, and currently performs with International Chamber Artists. He has worked with other diverse musicians including DJ Cyborg_K, Paul Hartsaw's Socio-Cybernetic Music Machine, and Chicago's Fifth House Ensemble.
Jason holds degrees in bassoon performance from DePaul University and Western Michigan University and has studied at the Bay View Conservatory and the Henry Mancini Institute. He has been Instructor of Bassoon at Kalamazoo College since 2003.
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Keri Godon
French Horn
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Keri received her Bachelors of Music degree in 2001 from DePaul University. From 2001 to 2003 she
studied music at Portland State University and in 2004 she received a Master of Music from Northwestern
University. Her teachers have included Russell White, Larry Johnson, Greg Flint, Jon Boen, Bill Barnewitz,
and Gail Williams.
Keri served as a teaching assistant for the Mt. Hood Brass Festival, Birch Creek Music Festival, Brass
at Wallowa Lake, the Marrowstone Music Festival, the Brevard Music Festival, and the Menorca Pro Musica
Festival in Spain.
As a freelance hornist Keri has performed as extra horn with the Chicago Symphony Orchestra,
the Columbia Symphony, Vancouver Symphony, Concertante di Chicago, Evanston Symphony, Wheaton Symphony,
and as principal horn with the Northbrook Symphony Orchestra.
Along with performing, Keri enjoys teaching and is the Band Director at St. Athantius School in Evanston, Illinois .
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Brian Reichenbach
Trumpet
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Brian Reichenbach performs and teaches trumpet throughout the Chicago area. A graduate of Wheaton College and DePaul University, Mr. Reichenbach has performed with ensembles such as the Illinois Philharmonic Orchestra, Quad Cities Symphony Orchestra, and Millar Brass Ensemble. Recently, he appeared as soloist with bands at Wheaton College, Olivet Nazarene University, and Wheaton Warrenville South High School. In 1999 and 2006, Brian performed as solo trumpet in premieres of operas by Bernard Rands and Ned Rorem under the direction of David Zinman at the Aspen Music Festival. As a chamber musician he is a founding member of the Lincoln Park Brass and has performed throughout Germany and recorded with the brass ensemble, Eurobrass. Brian is Adjunct Professor of Trumpet at Olivet Nazarene University and also teaches at College of DuPage and Csehy Summer School of Music. His primary teachers include John Hagstrom, Terry Schwartz, Stephen Burns, Steve Heitzer, and Ken Benjamin.
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Chelsea French
Trombone
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Chicago-area freelance musician and brass instructor, Chelsea French, received her Master of Music
degree in Trombone Performance from Northwestern University in June of 2005. She holds a Bachelor of
Music degree from DePaul University. She has studied primarily with Michael Mulcahy, Mark Fisher,
Charles Vernon, Randall Hawes and Vance Shoemaker.
Chelsea has played with Chicago's Music of the Baroque, the Civic Orchestra of Chicago, the South
Dakota Symphony, the Brevard Music Center Orchestra, and many regional orchestras in the Chicago area.
Chelsea has received local, national and international recognition by winning the Chicago-area Musicians'
Club of Women solo competition, the International Trombone Association's Marstellar Solo Competition, and
the National Trombone Solo Competition held at the Eastern Trombone Workshop.
Chelsea was born and raised in rural South Dakota , where she began her musical studies on piano at
the age of five. Her fascination with trombone began at age ten upon entering the public school band
program in her hometown of Madison. She also studied voice throughout high school, but found her niche
in music as a classical trombonist before entering college. Besides performing and teaching, Chelsea
also enjoys many outdoor activities such as horseback riding and barefoot distance running, and is currently
studying to become a certified yoga instructor.
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Arkadiusz Gorecki
Trombone
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Arkadiusz Gorecki, born in Olsztyn, Poland, began his studies on the trombone at age 16 in classes
conducted by Professor Roman Siwek at the Chopin Academy of Music in Warsaw, Poland. He completed his
studies in 2000, obtaining a Master Degree in Trombone Performance. During time, he began to study at
the Conservator Superieur de Paris, under the tutelage of trombone virtuoso Professor Jacques Mauger
and in 2001 completed his degree obtaining the First Prize Unanimously in the Paris Conservatory
trombone master solo class. He was also a member of a well known European choir, Collegium Canticum,
with which he toured all over the Europe from 1985 to 1990.
He participated in many international trombone and brass master classes. He studied under various
professors including Ardash Marderosian, Vern Kagarice, Michel Becquet, Alain Manfrin, Jean Raffard and
Jay Friedman, and has been awarded many prizes in trombone and art competitions. The most notable of
these awards are First Prize in the International Master Class Trombone Competition in Nice, France, in
1999; First Prize in the International Music Art Competition of Leopold Bellan in Paris in 2001; and
First Prize Unanimously in the Paris Conservatory Trombone Competition in 2001. From 2000 to 2001, he
received a stipend scholarship from the Ministry of Culture of the French and Polish Governments.
Arkadiusz has cooperated with several orchestras and concert groups in Europe, such as the Poland
National Philharmonic Orchestra, Warsaw Brass. While with the Polish Radio Symphony Orchestra in
Warsaw, he was the Principal Trombonist from 1999 to 2000. He has made numerous recordings for Jazz and
Popular Music, as well as performing as a soloist numerous times with organ, with piano and in musical
groups in France, Germany, Belgium, Poland and other countries. As the Principal Trombonist in the
World Tour Orchestra, he participated in an European Tour with famous Rock Group "YES".
Since August, 2002, he has been an assistant to Trombone Professor Elliot Chasanov at the University
of Illinois at Urbana-Champaign. At the same time, he has continued his studies toward a Doctor of Art
in Performance. Since October, 2002, he has been a member of the Trombone section of the Civic
Orchestra of Chicago. In 2002, he formed The Civic Trombone Quartet. Since September, 2003, he began
his studies at the Roosevelt University of Chicago under J. Friedman, who is a Principal Trombonist of
the Chicago Symphony Orchestra, completing his studies with a Professional Diploma in Orchestral
Studies. Since 2004, Arkadiusz Gorecki has played several times as an extra and substitute trombonist
with Chicago Symphony Orchestra, Northwest Indiana Symphony Orchestra, Sinfonia da Camera, and other
orchestras and chamber groups in the Chicago area. For the 2006-2007 season, Arkadiusz is starting a
new project, CITE -- The Chicago International Trombone Ensemble.
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Sean Whitaker
Tuba
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Sean currently holds principal tuba positions with the Millar Brass Ensemble, Lake Forest Symphony, and Illinois Philharmonic Orchestra.
He was acting principal of the New Mexico Symphony Orchestra during the 1999-2000 season. As a freelance musician, Sean has performed with the Chicago Symphony, Chicago Philharmonic, Ravinia Festival Orchestra, Elgin Symphony Orchestra, Ars Viva, Chicago Brass Quintet, Chicago Sinfonietta, Northwest Indiana Symphony, and Orquesta Sinfonica UANL (Monterrey, Mexico), as well as in many recording sessions. Sean also enjoys brass chamber music and currently plays with the Artemis Chamber Brass and Horizon Brass Quintet.
Sean moved to Chicago to get his Master of Music in Tuba Performance degree from Northwestern University. He grew up in Pennsylvania and received his Bachelor of Music degree from Duquesne University in Pittsburgh, PA. His principal teachers have been Rex Martin, Neal Tidwell, Dr. Gary Bird, and Gene Pokorny.
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ICA Board Members
The ICA Board consists of:
BOARD OF DIRECTORS
Jim Laubach, Chair
Mary Ann Harrington, Secretary
Robert Bassill, Treasurer
Jay Peterson
Paul Rauseo
EXECUTIVE DIRECTOR
Patrick Godon
OUTREACH COORDINATOR
Jack McCabe
ADMINISTRATIVE COORDINATOR
Linda Kreischer
ADMINISTRATIVE ADVISOR
William Jordan
PUBLIC RELATIONS COORDINATOR
Ruzanna Tantushyan
VOLUNTEER HOUSE MANAGER
Noelle Frost
A Letter from the Artistic Director
ICA, a diverse group of musicians, provides excellence in the arts through livechamber music to
underserved local and international communities. ICA performances are a vehicle for educational and
charitable outreach.
Committed to live performance that meets a high standard of artistic excellence, ICA musicians make the
richness and complexity of chamber music accessible to audiences of all ages and backgrounds. As young
musicians, ICA members bring a particular energy to their work. Each is driven by a love of music but also by
a commitment to ensuring that chamber music--which has difficulty attracting and maintaining audiences--will
be alive and well decades from now. ICA musicians have trained with master teachers who play with the world's
great ensembles and orchestras. As leaders of the next generation of concert musicians, ICA artists are
committed to Chicago as a place that offers chamber musicians many resources--not the least of these being
audiences that are eager to experience top quality performances. Through the marriage of music and
philanthropy, ICA will be driven by a profound sense of purpose.
There is much talk today in the arts world about the need to reach "underserved" communities. Typically,
this refers to communities that are economically challenged. One of ICA's founding goals is to provide
musical performances and education for audiences--especially of children and youth -- that might otherwise
have little access to chamber music. ICA will accomplish this by forming philanthropic educational
partnerships with such organizations as the People's Music School. Located in Chicago's Uptown neighborhood,
this school offers free music lessons to people of all ages. But ICA construes "underserved" in broader
terms. Someone who comes to a concert full of energy, enthusiasm and a love of music but with no knowledge of
how a composer conceives of and constructs a piece or of how musicians analyze and interpret the piece for
performance is "underserved." ICA believes that knowledge of music only increases enjoyment. This belief is
at the root of the organization's commitment to linking performance and education in a dynamic, engaging way.
It is ICA's hope that our performances will build an ever more perceptive and receptive audience--the
audience of tomorrow. Because it involves a relatively small group of musicians, chamber music is especially
well suited to this kind of exploration, which would be difficult to undertake with a full orchestra.
In our age of recording and instant playback, it is easy to forget the human element in music. The
composer, the performer, the audience member and the maker of the instrument--each is a human being whose
individual tastes and gifts are situated in a particular time, culture, and set of beliefs and values. To
understand music in the fullest sense is to understand the intersection of the individual and the culture, of
what is offered and what is received, of the score that never changes and the interpretation that does. It is
to appreciate that the sounds express a philosophy, a worldview, an understanding of who we are as human
beings. All of this begins with the score. ICA is founded on the idea that every great performance begins
with a thorough analysis of the score and a dedication to the ideas it contains. The first task of the
musician is to understand the musical ideas set forth by the composer; the second task is to convey these
ideas to an audience.
Finally, there is the matter of community. Live performance requires that at least two people be
present--one to perform, one to listen and watch. It cannot be a solitary experience. ICA's commitment to
live performance is first a commitment to a quality of sound that cannot be captured on a recording. But it
is equally a commitment to a unique kind of human experience--the shared, interactive, mutual experience of
performance. This is one of the most basic human experiences, one that is belittled or imperiled when people
experience music as a consumer good, to be consumed in solitude, rather than something to be produced and
shared. There are many obstacles to becoming a professional musician. Those of us who have chosen to make
careers of music have done so for our own individual reasons. One reason we share is that we simply cannot be
without the experience of live performance. We cannot have that experience without you. Audiences are a
critical component to making the performance.We hope you will become partners of ICA in the cause of music,
and we look forward to your support as we embark on this journey.
-- Patrick Godon, Artistic Director
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